Interactive and sculptural printmaking in the Renaissance [ Livre] / by Suzanne Karr Schmidt
Langue : anglais.Publication : Leiden-Boston : Brill, Cop 2018.Description : 1 volume de XXVII-439 pages : Illustré en noir et en couleurs, couverture illustrée en couleurs ; 25 cm.ISBN : 9789004340138.Collection: Brill's studies on art, art history, and intellectual history, 1878-9048, volume 21Résumé : Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions-part text, part image, and part sculpture-engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.Note d thèse : .Sujet - Nom commun: Estampe de la Renaissance | Art -- Aspect social -- Europe -- 1500-1800 | Livres animés -- Europe -- 1500-1800| Type de document | Site actuel | Cote | Statut | Notes | Date de retour prévue |
|---|---|---|---|---|---|
Livre
|
Bibliothèque Universitaire Mohamed Sekkat 3ème étage | 709.23 SCH (Parcourir l'étagère) | Disponible | New 2020 |
Bibliographie pages [409]-431
Index
Collection principale : Brill's studies in intellectual history, ISSN 0920-8607. Numérotation dans la collection principale : volume 270
Texte remanié de Thèse de doctorat Histoire de l'art Yale University 2006
Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science.
Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions-part text, part image, and part sculpture-engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself
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