Larbi Batma, Nass el-Ghiwane and Postcolonial Music in Morocco [Littérature, Langues et Religions] / Lhoussain Simour ; Alessandra Ciucci
Langue : anglais.Publication : Jefferson, North Carolina : McFarland, Cop 2016.Description : 1 Volume de VII-211 pages : Couverture Illustrée en couleurs, Illustré en noir et blanc ; 23cm.ISBN : 9781476664149.Résumé : Established in 1971, Nass el-Ghiwane is a legendary musical group that transformed the Moroccan music scene in the last decades of the 20th century. The charismatic founding member Larbi Batma (1948-1997) through his lyrics brought to light Moroccan folklore and obscure poetry. His autobiography Al-raḥīl, blurs the boundaries between fact and fiction and deals with social issues plaguing post-independence Morocco. Providing a reading of Al-raḥīl, this book is the first in English to examine the work of Nass el-Ghiwane, as well as the emergence of al-Ūghniya al-Ghīwaniya as a musical genre and the social conditions that fostered its growth.| Type de document | Site actuel | Cote | Statut | Date de retour prévue |
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Littérature, Langues et Religions
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Bibliothèque Universitaire Mohamed Sekkat 3ème étage | 780 SIM (Parcourir l'étagère) | Disponible |
Survol Bibliothèque Universitaire Mohamed Sekkat Étagères , Localisation : 3ème étage Fermer le survol d'étagère
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| 779.260 951 صور الصور الفتوغرافية عن حياة أبناء القوميات الصينية | 779.260 951 صور الصور الفتوغرافية عن حياة أبناء القوميات الصينية | 780 BOU Boulez in bayrouth | 780 SIM Larbi Batma, Nass el-Ghiwane and Postcolonial Music in Morocco | 780 SIR Parcours de la musique classique | 780 شام مداخلتي قضية المقارنة الموسيقية عند فؤاد زكريا | 780 صفد رسالة في علم الموسيقا |
Bibliographie pages 201-207, Index
Established in 1971, Nass el-Ghiwane is a legendary musical group that transformed the Moroccan music scene in the last decades of the 20th century. The charismatic founding member Larbi Batma (1948-1997) through his lyrics brought to light Moroccan folklore and obscure poetry. His autobiography Al-raḥīl, blurs the boundaries between fact and fiction and deals with social issues plaguing post-independence Morocco. Providing a reading of Al-raḥīl, this book is the first in English to examine the work of Nass el-Ghiwane, as well as the emergence of al-Ūghniya al-Ghīwaniya as a musical genre and the social conditions that fostered its growth
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